Last week I attended a terrific writer’s conference put on by the Women’s Fiction Writers Association. If you write women’s fiction, you need to be a member of this great organization. The classes were fun and informative. The networking with new friends was enjoyable and educational. I took the opportunity to pitch an agent.
No matter how often I pitch an agent, I get sweaty palms. I told myself I am self-published with great reviews. I am about to publish the second book in my Knoll Cottage series. So, I had no reason—being the mature, accomplished woman that I am—to be nervous. And why pitch an agent at this point?
I wanted to chat about the new world of publishing. I came armed with a paperback copy of Missing Emily, book one in the series; comments from my editor; a synopsis of Silent Grace.
The young agent from Trident Media Group, L.L.C. was very professional and took notes. I told her I am self-published and I have done all the hard things right, based on the reviews and comments from readers. She asked me about sales. I said they aren’t good, which is why I am nervously sitting in from of her. I need guidance! All of the information I’ve read about marketing, driving sales, email lists haven’t helped me. And I wondered if, in this new world of publishing, I could still have an agent represent me.
And the literary agent said: Yes! She said having a published book would not stop an agent from representing the author.
I told her the stories of both Missing Emily and Silent Grace. She asked me questions, and I answered. I accomplished none of this with grace because my throat was a little tight. In the end, she asked me to query her on both novels. I offered her the paperback of Missing Emily and the literary agent said: Yes.
In truth, I’ve never pitched an agent at a conference who didn’t ask for more material. Even on my very first book. But the space between the query sending and rejection sending is a warm and hopeful place. I will let you know what happens!